What attracts you to historical performance and playing on period instruments?

“For players, historical performance offers so many fascinating tools with which we can bring old music very much to life in the present. So much of what might have been expected when the composer wrote the music down isn’t in the score, and I find it a really fulfilling challenge to try out different options to find what works. It’s much more about exploring different styles of playing than the instruments, but it does help that I also love the sounds period instruments make! I think I find it most interesting when we consider forms of musical expressivity that seem strange and unfamiliar to us now, as they often challenge us to find new ways of listening too.”

What is your most memorable moment with the ensemble so far?

“I love the idea behind the ‘Musick in Manchester’ series, and have really enjoyed exploring the city’s musical history with our audiences. I have found it particularly interesting to play music by familiar and lesser-known composers side-by-side, and hear the thoughts of those listening.”

What are you looking forward to most in our next concert, 'Celebration'?

“I'm most looking forward to Purcell's Three Parts Upon a Ground. Purcell has such a colourful and inventive harmonic language, which is showcased to the full in his ground bass movements. I can't wait to explore this in rehearsal, and take the audience on an exciting journey in performance!”

What do you enjoy doing outside of music making?

“Outside of music I love reading, cooking, watching films, and also going hillwalking when I get the chance.”