Do you remember your first exposure to historical performance on period instruments?

“The mostly memorable, and probably the first, was hearing the Academy of Ancient Music perform Handel’s Water Music at the RNCM in the mid1970s. The blend of the instruments was revelatory, and although already studying harpsichord at that time it confirmed for me the route I wished to take.”

What attracts you to historical performance and playing on period instruments?

“Being able to get closer to a composer’s wishes and sound world by approaching the music with an enquiring mind, and working with like minded musicians to shape performances that communicates this to an audience”

Do you have a favourite composer?

“Tough question, it depends what mood I’m in! Invariably it is Bach, but it could equally well be Brahms, Benjamin Britten or Dave Brubeck And it’s not only composers beginning with B!”

What is your most memorable moment with the ensemble so far?

“Performing at the Swaledale Festival last year, a concert that we repeated at Manchester Cathedral in June.”

What do you enjoy doing outside of music making?

“I love walking on Fells, in Dales and on Mountains, with my wife, our dog and my camera.”